Noah And The Whale: Last Night on Earth-Review by Calum MacDonald

For those who have come to Noah and The Whale through their first two albums Peaceful, the World Lays Me Down (2008) and The First Days of Spring (2009) Last Night on Earthwill be a different listening experience for you.

Gone are the indie folk almost dark sounds replaced with an upbeat shall I say, radio friendly bunch of tunes.
Charlie Fink’s vocals still have the same quality, although not as quirkily folky, the stripped down acoustic instrumentation of the first two albums is substituted by a more full, produced band sound.

The songs are catchy enough and lyrically the turns of phrase are still there, if not as left of centre. The band on
this album appear to be leaving the indie folk label behind for at least the time being.

I can see these songs fitting in well with material from the earlier albums in live performance, however as an album I would love to hear some of the more darker aspects that lay within that earlier material interspersed with some of these newer tracks.

It’s a hard thing matching the odd gloomy lyric with an up tempo tune but not impossible and to some extent the band pull this off. The song arrangements which have always been a strong point of this band are still prominently well done here.

An artist has to progress within themselves, there will be those who will embrace this new direction and others who will yearn for the sounds of the first two albums.

Either way Noah and The Whale have managed to hang on to their integrity even with this change in direction.



Konk Studios-Calum MacDonald Recording Studio Of The Week (owned by The Kinks)

Calum MacDonald Recording studio of the week konk studios owned by the kinks 2

Konk Studios Grand Piano Live Room

Calum MacDonald Recording studio of the week konk studios owned by the kinks
Konk Studios owned by the Kinks Live Room 
Calum MacDonald Recording studio of the week konk studios owned by the kinks 4

Konk Studios SSL Room

Calum MacDonald Recording studio of the week konk studios owned by the kinks 6

Konk Studios Neve Room

Calum MacDonald Recording studio of the week konk studios owned by the kinks 5

Konk Studios SSL Room

Calum MacDonald Recording studio of the week konk studios owned by the kinks 7

Konk Studios Neve Room

Calum MacDonald Recording studio of the week konk studios owned by the kinks

Konk Studios Neve Room


Clip from The Kinks “State Of Confusion” which shows the Neve room at Konk Studios.

Konk Studios was set up by the UK group The Kinks in 1971 in Hornsey not far from Muswell Hill, famous Kinks territory.

Apart from The Kinks artists who have recorded there include The Kooks, BlurElvis CostelloSteve Winwood, Frankie Goes To Hollywood, Tears for Fears, The Cure, Teardrop Explodes, The Bee Gees and many more.

The English Indie rock group The Kooks recorded their album Konk at the studios. The album reached no 1 in the UK charts.

Ray Davies thought about selling the studio in 2010 but in 2011 he said he had another album to do. We’ll find out I guess after the album is completed if the studio will be demolished or not.

Photos courtesy of the Konk Studio’s web site.

 

Calum MacDonald Listening To: The Stone Roses

The Stone Roses Elephant Stone video clip

Calum MacDonald Listening To: Noah And The Whale

Noah And The Whale : L.I.F.E.G.O.E.S.O.N. video.

Listening to the new album Last Night On Earth. I will review this album soon.

Calum MacDonald Listening To: Laurie Spiegel

Improvisation on a “Concerto Generator” (1977)
Laurie Spiegel Playing the Bell Labs Digital Synthesizer

Calum MacDonald Listening To: Superheavy

The album Superheavyby Superheavy the new collaboration between Mick JaggerDave Stewart, reggae star (son of Bob MarleyDamian MarleyBollywood composer  A.R.Rahman and soul singer Joss Stone.

Read my review of Superheavyhere.

Sun Studios-Calum MacDonald Recording Studio Of The Week

Calum MacDonald recording Studio of the week Sun Studios Memphis

Sun Studios photo courtesy of David Jones

Calum MacDonald recording Studio of the week Sun Studios Memphis

Sun Studios office photo courtesy of David Jones

Calum MacDonald recording Studio of the week Sun Studios Memphis

Sun Studios recording equipment photo courtesy of David Jones

Calum MacDonald recording Studio of the week Sun Studios Memphis

Sun Studios photo courtesy of David Jones

Sun Studios in Memphis Tennessee, USA. Started by Sam Phillips and famous for recording Elvis Presley.

A little bit more here:

Superheavy: Superheavy-Review by Calum MacDonald

What do you get when you get some of the biggest selling artists, writers and musicians and produce an album, well you get a very professional sound with well produced songs, well hopefully.

Superheavyis the result of a collaboration between Mick Jagger, Dave Stewart, reggae star (son of Bob Marley) Damian Marley, Bollywood composer who has sold squillions A.R.Rahman and soul singer Joss Stone. The album is a combination of FM rock, reggae and throw in some bollywood styles and you have the album. Now the problem with this is that you risk seperating your audience into three. Just as you are getting into reggae along comes some rock and then bollywood.

For me the combination although well produced, you cannot fault the production or musicianship, becomes a little wearing. The songs themselves are catchy but could still do with a little more pizazz.

On “One Day One Night” Mick Jaggers vocals are appealing. They weave about like he is singing this song at 3am in the morning, it’s definately interesting. The album is not dominated by Jagger and for me he adds a little colour to the songs. The other performances are second to none but if you like a little roughness in your tunes then luckily Jagger is part of the project.

The thing that makes the Rolling Stones so great is the almost live sound they create, Keith Richards slight out of tune chordings fit Jaggers lyrical style and vocals perfectly. Maybe this is the problem here, Jaggers clubby rock / blues voice doesn’t suit at times. You really feel this with the track “Never Gonna Change”, a very reminicent intro to Wild Horses and for me this pulling back is welcome. The album could have done with more tracks like this but then that wouldn’t have been the same venture that they set out to do.

There is the feeling here that this combination of  rock, reggae and bollywood may have just been pulled off and I think it could have if wasn’t for the very classy production. I get the feeling that the initial ideas would have been a lot more culturally adhesive in the performers heads. At the end of the day this is a hard album to review as it is actually well done and I think there will be people who will like this but for me the styles clash too much.

Individually there are some quite beautiful parts to the songs. There is a song in Urdu which has a lovely intro but turns into a big rock number with a fiddle, another change of direction which in this case is mid song.

The synthy track  ”Energy” has a rap from Mick Jagger, well why not, I think they all had fun.

Listen to Superheavyfor yourselves you probably won’t hear Jagger rapping again in the near future, not if Keith Richards and the rest of the Rolling Stones have anything to do with it.

The Rolling Stones Mobile – Calum MacDonald – Recording studio of the week

Rolling Stones Mobile Interior photo courtesy of Cantos Music Foundation

Rolling Stones Mobile Entrance photo courtesy of Cantos Music Foundation

 

Moving The Rolling Stones Mobile photo courtesy of Cantos Music Foundation

Rolling Stones Mobile Studio Van

Led Zeppelin, Fleetwood Mac, Deep Purple and the Rolling Stones themselves to name a few all recorded albums using the studio.

In 1996 the Rolling Stones mobile studio was sold and sent to America. It spent a fair bit after that recording alternative / underground bands it is now owned by the Cantos Music Foundation in Calgary, Alberta, Canada.


 

 

 

Ryan Adams: Ashes and Fire – Review by Calum MacDonald


Ryan Adams known for his work with the alt country band The Cardinals has released the solo album
Ashes & Fire.

The album is produced by legendary producer Glyn Johns who has worked with Bob Dylan, The Beatles, The Rolling Stones, Midnight Oil, Eric Clapton and The Eagles just to name a few.

Glyn John’s production is spotless and the songs and instrumentation are given plenty of space to move, a well made record and dare I say it, may be too well made.

The first track “Dirty Rain” reminds me of the rhythm section from Neil Young’s “Old Man”. There is the same pace, the sparseness and tempo that Old Man has. Not a bad sound to have and with Glyn Johns at the wheel the production feels as if you may just be in the room with the band.  As Adams sings “Last time he was here it was raining, it ain’t raining anymore” there are some nice organ touches that move in and out with the clarity that this album has for each instrument that appears, nothing out of place.

The album does cross over into territory from the 70’s, Neil Young, The Eagles and even what seems to be a little reminder of Bruce Springsteen in “Lucky Now” but in a more restrained manner.

The track “Rocks” reminds me of a James Taylor acoustic intro. A lazy tempo leading up to an appearance of strings later in the song. Another nice tune and Adams sings it well as he does on all the tracks.

Below is a link to the Ashes and Fire acoustic promo.

http://www.youtube.com/watch?v=l4VGlkcBtfw

“Do I Wait” has the band taking off for the first time as Adams sings “do I wait for you” and maybe this is where you feel at times you would like to see the album head. If there was a little more frantic playing , some risks taken with the vocals then maybe this album would grip you more. There’s an impression happening here that letting things rip a bit would just bring this album closer to the edge for the listener.

“Invisible Riverside” sees Adams singing “standin by the ocean like I’m freezing here in time” with some nice electric piano as he laments “not let go don’t change your mind”

With “Save Me” we enter ballad territory, a nice melody, acoustic guitar, piano and organ backing all done sparingly and with style. This has the feel and sound of a Jackson Browne track. Adams sings “what am I doing here, what am I” all questions we’ve all had and then, “somebody save me, it’s just too much pain” more introspection, more wondering.

Ashes & Fire isn’t a bad album. I really wished that it wasn’t so perfect in production and instrumentation, but that’s just me I like a rough edge.

I’ve listened to this album several times and there were quite a few moments where I felt I was listening to the artists mentioned earlier in this review. Not a bad thing, maybe not particularly an original sound, however I’m sure these new songs will appeal too many. I can’t help feeling though that Ryan Adams has more individualism in him than these current songs are showing.

This album may gain plenty of radio airplay, I’m sure there will be a great many people who will like this. Lovers of that American 70’s Neil Young / Jackson Browne era will understand and feel comfortable with the album.

For me, well I did enjoy the experience of listening to the album. I would like to see more risks taken, I like to find new parts to an album each time I listen, new noises and little mistakes that all add to the experience an album can bring.

Ashes and Fire lays it all out on the line for you straight away, and if you like your music like this then you will enjoy the new Ryan Adams album.

There are no risks here as Adams sings gently, songs of introspection and of waiting for a loved one.

I look forward to his next release, I wouldn’t be surprised if it has more edge.

 


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